
Director: Oliver Stone
Cast: Michael Douglas, Shia LaBeouf, Cary Mulligan and Josh Brolin
Rating: ***
Just how much is too much? On Wall Street, it’s not the question you ask. Money is earned for money’s sake. Everything else is just by the way.
Oliver Stone’s two-decades late sequel to the original Wall Street begins where he left off in 1987. Gordon Gekko (Michael Douglas) is out of jail and has written a book predicting the latest financial crisis. But he’s really looking for a way to return to the top of the game, and he’ll manipulate anyone, including his daughter (Carey Mulligan), to get there.
Jacob Moore (Shia LaBeouf) is the new kid on the block – a sharp talent with the drive to get himself to the top too. Bretton James (Josh Brolin) is the proclaimed villain who plays dirty and eventually pays the price.
Since it is an Oliver Stone film, Wall Street brokers dress a lot cooler, speak in high rhetoric and ride fast bikes on weekends. And don't forget to throw in swanky mansions, swish parties and Goya paintings for good measure. There’s even a back story of drug addiction.
Nothing too new there, you might argue, especially since the basic characteristics of the game are the same as they were in the Eighties – it’s a dog eat dog world out there and money rules. Relationships, ethics and morals are for the faint-hearted, and success is judged only in terms of loss or gain.
But Money Never Sleeps does of course have some contemporary relevance, taking as its loose inspiration the demise of Bear Stearns and Lehman Brothers, and the ensuing financial crisis. In a bid to bring the story up to date, even the quest for alternative energy and the power of the blog have been thrown in. Things also get technical at times, with a bewildering four screens flickering with numbers and graphs.
What makes the film work is a stellar performance by Michael Douglas who slips right into Gekko’s Berluti shoes as if he’d never taken them off. Shia puts in a sincere performance and you’re almost ready to forgive him for his earlier offerings.
Think of the new Wall Street as one of those gambling movies where your final hand can make or break you. Wall Street is where the big boys gamble. And greed, after all, is primal.
- Sarit Ray